Stalker (1979)


Here I am once again being irresistibly absorbed into thee Vortex Andrew Tarkovsky. Currently, I am revisiting Stalker (1979). Ahh, I have no paragraph, sentence, or meaningful word to add to any analysis…so I share this Film Fredonia essay. Thanks!

film freedonia

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Stalker01Director: Andrei Tarkovsky

By Roderick Heath

Andrei Tarkovsky is both notorious and adulated amongst movie fans as the maker of some of the most objectively forbidding films ever made, as well as several of the greatest. His patient, immersive, unique style represents one definitive extreme in how to fashion cinema. Tarkovsky’s movies are exemplified by their attempts to articulate things that are virtually inexpressible, and yet still, somehow, are part of the common pool of experience. Tarkovsky wanted to provoke his audience to higher levels of awareness and engagement with the processes occurring in the cinematic space before them, and to force them to deal with their own preoccupations and interpretations. As such, his films manage to convey two almost disparate visions of film as an art, as the working definition of eccentric, anti-populist, “challenging” cinema, and yet also the products of an artistic sensibility that prizes and respects…

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